简介:与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮影片的缔造者之巨牛影视 (juniutv.top) 每日同步发布全球热门影视剧集。。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮影片的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国执导者格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
4.0 萝丝·拜恩/阿丽亚娜·德博斯/柯宾·伯恩森/多米尼克·塞萨/奥克塔维亚·斯宾瑟/黛米·洛瓦托/西蒙·雷克斯/比尔·温克勒/汤姆·约翰逊/Katie Lee Hill/Blair Lewin/乌拉·尤安娜·桑切斯/邦妮·罗斯/卡罗尔·希基/Ava Monroe Tadross/Sung Yoon/Liz Weinstein/Chad Burris/
9.0 威廉·卡特列特/Jeremiah Alexander Daniels/林恩·阿什/约瑟夫·柯蒂斯·卡伦德/Kia Shine Coleman/德娅·迪伊/朗达·约翰逊·邓茨/布兰迪·埃文斯/Mason Hutchinson/阿隆佐·F·琼斯/Candy McLellan/Terri J. Vaughn/恩杰玛·威廉姆斯/